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【主創(chuàng)設(shè)計師】
洪人杰（Jenchieh Hung）
HAS design and research建筑事務(wù)所創(chuàng)始人、主持建筑師
泰國暹羅皇家建筑師協(xié)會展覽主席、首席策展人
朱拉隆功大學(xué)建筑學(xué)院客座教授
Jenchieh Hung
Co-Founder and Principal Architect, HAS design and research
Exhibition Chairman, The Association of Siamese Architects under Royal Patronage
Visiting Professor, Chulalongkorn University and Tongji University
HAS design and research建筑事務(wù)所由洪人杰（Jenchieh Hung）與Kulthida Songkittipakdee創(chuàng)立，他們被譽為引領(lǐng)新世代的建筑師，其創(chuàng)新設(shè)計被英國《Wallpaper*》雜志收錄為“世界建筑師名錄”，同時為Wallpaper*建筑師名錄創(chuàng)立20多年來，首次也是唯一被收錄的泰國建筑事務(wù)所。Hung And Songkittipakdee（HAS）的代表項目包括Phetkasem Artist Studio入選泰國暹羅皇家建筑師協(xié)會年度大獎、Casa de Zanotta獲澳大利亞INDE.年度大獎、The Glade Bookstore獲英國Dezeen雜志評為十大中國最美書店、Forest Villa獲美國Architonic評為全球十大生態(tài)足跡項目、Museum of Modern Aluminum Thailand獲泰國威望大獎，并受邀刊登于《亞洲建筑師協(xié)會期刊》封面特輯，其作品廣見于報紙雜志和電視頻道，包括美國建筑師時報、意大利Domus、韓國SPACE、泰國Amarin等全球數(shù)百個媒體雜志報導(dǎo)。
Jenchieh Hung與Kulthida Songkittipakdee也于學(xué)院擔(dān)任客座教授與設(shè)計評論教席，包括同濟(jì)大學(xué)建筑與城市規(guī)劃學(xué)院、朱拉隆功大學(xué)建筑學(xué)院、泰國國王科技大學(xué)建筑設(shè)計學(xué)院，并創(chuàng)立中泰建筑研究室（Chinese-Thai Research Studio），研究東南亞與泰國建筑，以及策劃系列國際建筑展覽。2023年Jenchieh Hung被任命為泰國暹羅皇家建筑師協(xié)會展覽主席、首席策展人，在曼谷藝術(shù)文化中心（Bangkok Art and Culture Centre）舉辦大地?zé)o限建筑展，2024年在曼谷IMPACT國際展覽中心策劃集群語言—亞洲當(dāng)代建筑展（Collective Language - Asian Contemporary Architecture Exhibition）；Kulthida Songkittipakdee則被任命為泰國暹羅皇家建筑師協(xié)會博覽會主席，致力于泰國當(dāng)代建筑的國際聲音。
Jenchieh Hung and Kulthida Songkittipakdee founded HAS design and research and they are recognized as leading architects in the new generation, renowned for their innovative architectural designs in the "World Architects Directory" by Wallpaper* magazine in the United Kingdom. Hung And Songkittipakdee (HAS) has built an international reputation through winning competition entries, with their work standing out for its synthesis of form, pattern, material, and technology into singular, irreducible constructions. Their projects have received widespread recognition on international platforms and have been featured in publications such as The Best Architects in Bangkok 2023, Six Asian Design Firms You Need to Know, and The Projects Reshaping Chinese Architecture Today. HAS design and research's innovative work has been celebrated with numerous awards and honors, including the Australia INDE. Award, Wallpaper* Architects’ Directory, Thailand Prestige Award, and the Designer of the Year Award.
In 2023, Jenchieh Hung was appointed as the Exhibition Chairman and Principal Curator of The Association of Siamese Architects under Royal Patronage, curating the Infinity Ground Architecture Exhibition at the Bangkok Art and Culture Centre (BACC), as well as the Collective Language - Asian Contemporary Architecture Exhibition for The Association of Siamese Architects under Royal Patronage Exposition 2024 (ASA Architect Expo 2024) at the IMPACT Arena Exhibition and Convention Center. Alongside his design practice, he also serves as a Visiting Professor and Design Critics in Architecture at Tongji University, Chulalongkorn University, and King Mongkut's University of Technology Thonburi.
Simple Art Museum / HAS design and research
In the early 21st century, China witnessed a remarkable surge in museum construction. Cities blossomed under the banner of cultural revival, historical reimagination, and social care, shaping a new international vision for the nation's urban landscape. Over the past two decades—marked by monumental events like the Beijing Olympics, the Shanghai World Expo, the Hangzhou Asian Games, and the global pandemic—Chinese cities have transformed. The towering architecture that once symbolized progress has evolved into a more humanistic, life-centered, artistic, and socially conscious approach to urban regeneration.
Amid this cultural evolution stands the Simple Art Museum, a contemporary art museum that delves into the reflections of artists on society and the environment. Nestled in Anhui, China, in a burgeoning urban development on the old city's edge, the museum bridges the gap between past and present. The region, famed for its distinctive Hui-style architecture, is marked by iconic elements—roofs, gables, columns, and gardens—that tell the tale of its strategic cultural significance. As the city grows, the museum faces the challenge of infusing new cultural meaning while honoring the legacy of its historic roots.
Architects Jenchieh Hung and Kulthida Songkittipakdee, founding principals of HAS Design and Research, present a fresh cultural vision through their innovative design. Drawing inspiration from Anhui’s traditional architectural forms, the museum reinterprets elements such as roofs and gables, transforming them into a contemporary space where the human spirit and social interaction converge. The design extends the essence of the Hui-style village, incorporating a floating, undulating roof that evolves from the inward-facing, fireproof gable into a symbolic structure, opening outward to embrace the public. This continuous form creates a seamless indoor environment for artistic expression, housing art exhibitions, galleries, workshops, multimedia rooms, design salons, and cafés. The architecture flows effortlessly into the interior’s curving walls, offering a graceful translation of tradition into modernity.
On the ground floor, an expansive grey space invites dialogue, care, and connection, reflecting the local community’s yearning for shared experiences. This space stirs the imagination, drawing residents towards art and beauty, infusing the ordinary with a sense of the extraordinary. Above, the museum’s jagged roof echoes the exhibition spaces below, supported by curved walls that create a winding path reminiscent of Chinese gardens, where natural light and shadow dance together, creating a timeless atmosphere. The upper level, a hub of open art offices, continues the narrative of the ground floor’s exhibition space. Curving and undulating walls dissolve the rigid boundaries of traditional workspaces, fostering creativity and collaboration. In this way, the museum transcends its role as a container for art, becoming an incubator for ideas.
Situated near the Nanfei River, often called the "Mother River of Hefei," the museum draws inspiration from the rippling waters that have shaped the region for millennia. Hung And Songkittipakdee (HAS) ingeniously capture this fluidity in their design, with curved walls and a wave-like roof mirroring the river’s natural rhythm. As sunlight filters through in the afternoon, the building becomes a living reflection of the Nanfei’s shimmering surface—an abstract masterpiece in itself. By day, the museum’s roof casts wide swaths of shadow across the external plaza, offering visitors a place to pause and reflect. In the afternoon, light seeps through openings, bathing the interior in a sacred glow, creating a space of ethereal beauty. By night, the museum glows from within, a beacon of belonging in the shifting urban landscape.
The Simple Art Museum is more than just a gallery or cultural exhibition space; it is a place where architecture invites wonder, where past and present converge in a timeless dance. Architects Jenchieh Hung and Kulthida Songkittipakdee have crafted a building that not only houses art but also awakens a deep curiosity for beauty. It offers a cross-generational spirit, connecting tradition and contemporary culture amidst the concrete city.
Project Information
Project name: Simple Art Museum
Location: Hefei, China
Completion year: 2024
Architecture firm: HAS design and research
Website: www.hasdesignandresearch.com
E-mail: hascontact@yahoo.com
Lead architects: Jenchieh Hung, Kulthida Songkittipakdee
Design team: Jenchieh Hung, Kulthida Songkittipakdee, Atithan Pongpitak
Lighting technology: Visual Feast (VF)
Lighting consultant: Jenna Tsailin Liu
Landscape consultant: Weili YangConstruction consultant: Zaiwei Song
Constructor: Guangdong Xingyi Decoration Group Anhui Co., Ltd
Site area: 600 sq.m.
Gross built area: 1,150 sq.m.
Photo credit: W Workspace, Fangfang Tian
Simple Art美術(shù)館 / HAS design and research
在21世紀(jì)初期，中國經(jīng)歷了一場博物館興建熱潮，各地城市以復(fù)興文化、重現(xiàn)歷史、關(guān)懷社會為發(fā)展底蘊，替中國一線城市建立嶄新的國際視野。如今20多年過去，隨著北京奧運會、上海世界博覽會、杭州亞運會與新冠疫情等，城市經(jīng)歷多次變革與轉(zhuǎn)型，宏大的建筑帶來象征性城市后，建筑發(fā)展逐漸轉(zhuǎn)變成更貼近人文、生活、藝術(shù)、社會的針灸式城市再生計劃。
Simple Art美術(shù)館（Simple Art Museum）是一個當(dāng)代美術(shù)館，展示中國至亞洲當(dāng)代藝術(shù)創(chuàng)作，挖掘藝術(shù)家對環(huán)境與社會的思考。建筑坐落于中國安徽，該區(qū)過往因歷史戰(zhàn)略位置，發(fā)展出特有的徽派建筑，尤其在建筑的屋頂、山墻、柱梁、園林等元素，構(gòu)成具有文化象征性價值。該美術(shù)館坐落在老城外圍的新城開發(fā)區(qū)，作為一個新城，如何賦予新的文化意義并延續(xù)歷史價值，成為建筑自身所面對的社會議題。
HAS Design and Research建筑事務(wù)所主持建筑師Jenchieh Hung與Kulthida Songkittipakdee提出一種嶄新的文化思考，設(shè)計透過延續(xù)安徽傳統(tǒng)建筑形式，萃取屋頂、山墻、園林等元素，轉(zhuǎn)化成一個新的當(dāng)代空間，兼具人文精神與生活交流。設(shè)計最終以漂浮并連續(xù)起伏的屋面，暗示著傳統(tǒng)徽派建筑的山墻面，并將山墻起伏的形狀，轉(zhuǎn)化成建筑空間，從建筑外部延伸串聯(lián)整個室內(nèi)場域，形成一系列藝術(shù)文創(chuàng)展示空間，包括藝術(shù)展覽、手作工作坊、多媒體影像、設(shè)計沙龍與咖啡茶飲等，而建筑本身也與內(nèi)部自由流動的墻體，發(fā)生形式之外的空間互動，從而體現(xiàn)傳統(tǒng)與現(xiàn)代之間的轉(zhuǎn)譯關(guān)系。
在首層空間，碩大的頂面灰空間提供人們交流、對話、關(guān)懷與問候等開放性場所，它體現(xiàn)當(dāng)?shù)厝藢ι畹钠谕约皩Ρ舜说闹匾暎@樣的情感交換提升當(dāng)?shù)鼐用駥λ囆g(shù)與美的想像，替生活置入的強大能量。該建筑的鋸齒狀頂面聯(lián)系數(shù)個藝術(shù)展覽空間，頂面下方由數(shù)個曲面墻體支撐，創(chuàng)造出有如中國園林般曲徑通幽，結(jié)合從外部滲透進(jìn)來的光影，讓自然與藝術(shù)相互對話，呈現(xiàn)一種永恒性的空間體驗。二層空間是開放式辦公，延續(xù)一層藝術(shù)文化展覽，辦公空間的形式與體驗，不同于常規(guī)工作場域，設(shè)計透過曲線墻體的起伏，自然而然分隔與連接數(shù)個文化辦公場所。自由延伸的墻體，帶給工作人員有如美術(shù)館自身的純粹感，不僅強化辦公環(huán)境的創(chuàng)意啟發(fā)與文創(chuàng)設(shè)計，也增強工作之間的交流與討論，創(chuàng)造文化活力并注入藝術(shù)氛圍的工作場所。
在白天，美術(shù)館頂面藉由外部陽光的移動與變化，替外部藝術(shù)廣場創(chuàng)造大片陰影空間，可提供訪客一個休憩且感受環(huán)境變化的自然場域；在下午，建筑的孔洞過濾部份光影并滲透到內(nèi)部，創(chuàng)造一處具有神圣且空靈的長線性光影空間，替訪客到來精神性與儀式感；到了夜晚，建筑光線由內(nèi)向外延伸，替無方向感的城市肌理，帶來具有歸屬感與方向性的文化象征。
此外，Simple Art美術(shù)館鄰近于南淝河，該河流具有豐富的文化記憶與歷史價值，也被當(dāng)?shù)厥忻穹Q為合肥的母親河，特別是在平日夕陽照射所產(chǎn)生的水波浮動效果，展現(xiàn)其河道受自然環(huán)境沖刷變化的千年歷史。因此，Hung And Songkittipakdee（HAS）將南淝河特有的水波，巧妙的轉(zhuǎn)換成空間感知，透過曲面的墻體與起伏的頂面，在午后夕陽光線滲透進(jìn)入室內(nèi)時，頂面有如還原南淝河特有的水波浮動，其光線倒映著內(nèi)外上下整體空間，建筑本身猶如一幅抽象般的藝術(shù)畫作。該建筑不僅只是一個提供藝術(shù)展覽與文化交流的美術(shù)館，建筑師Jenchieh Hung與Kulthida Songkittipakdee致力透過空間，激發(fā)當(dāng)?shù)厝藢τ诿赖暮闷媾c渴望，并在鋼筋混凝土的城市中，帶來一處具有跨時代精神，連接傳統(tǒng)與當(dāng)代的文化建筑。
項目資訊
項目名稱：Simple Art美術(shù)館
項目位置：中國合肥
設(shè)計公司：HAS design and research建筑事務(wù)所
公司網(wǎng)站：www.hasdesignandresearch.com
聯(lián)系郵箱：hascontact@yahoo.com
主創(chuàng)建筑師：洪人杰（Jenchieh Hung）、Kulthida Songkittipakdee
設(shè)計團(tuán)隊：Jenchieh Hung、Kulthida Songkittipakdee、Atithan Pongpitak
照明技術(shù)：Visual Feast（VF）
照明顧問：劉采菱
景觀顧問：楊瑋利施工顧問：宋在衛(wèi)
施工：廣東星藝裝飾集團(tuán)安徽有限公司
基地面積：600平方米
建筑面積：1,150平方米
完成年份：2024
攝影版權(quán)：W Workspace、田方方
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